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Joshua Davis


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Joshua Davis


Joshua Davis is a force of nature. He's a designer, technologist, author and new media artist and much more besides. He's the creator or praystation.com for which he won the 2001 Prix Ars Electronica Golden Nica. Davis worked on the visualisation of Watson, IBM's intelligent computer program. His work has been inducted into the Smithsonian's Cooper Hewitt Design Museum and he has spoken at the TED and 99U conferences about his career in algorithmic image making and open source. We had the privilege of seeing him at Reasons Festival recently and can attest, he is a genuine maverick talent.  

Work by Joshua Davis:

Kiran Gandhi x Joshua Davis x OFFF Barcelona A six month secret project incubated inside the Sub Rosa lab performed live at the OFFF Festival in Barcelona Spain. This 40 min rendering is from 27 unique, real-time, audio reactive systems to drive algorithmic animations. Each of the 27 animation systems we're cue'd at key points in a 40 min track, with some new original music by Madame Gandhi, pre-mixed by Kiran and Alexia Riner. On stage, Kiran live drummed on top of the mix in addition to using OSC (Open Sound Control) to have her percussive hits change variables in the animation system. I also had a base set of variables that I could trigger via OSC that further controlled different aspects of the animation overall. Despite their being 27 cue'd animation aesthetics... the interaction between the both of our inputs creates a unique 40 min Audio / Visual experience... to play this performance again would re-generate a new 40 min experience. WARNING / contains Strobe and Flashing Lights / will melt brain and eyeballs tech : Processing + HYPE framework + GLSL shaders + OSC + Minim / FFT + SVG audio : Madame Gandhi / soundcloud.com/madamegandhi Animation Styles / right click and open in new window 01. vimeo.com/170075635 02. vimeo.com/170075635#t=0m21s 03. vimeo.com/170075635#t=1m32s 04. vimeo.com/170075635#t=2m49s 05. vimeo.com/170075635#t=3m30s 06. vimeo.com/170075635#t=4m36s 07. vimeo.com/170075635#t=6m44s 08. vimeo.com/170075635#t=7m16s 09. vimeo.com/170075635#t=10m29s 10. vimeo.com/170075635#t=11m13s 11. vimeo.com/170075635#t=11m48s 12. vimeo.com/170075635#t=12m46s 13. vimeo.com/170075635#t=14m01s 14. vimeo.com/170075635#t=14m51s 15. vimeo.com/170075635#t=15m22s 16. vimeo.com/170075635#t=15m37s 17. vimeo.com/170075635#t=16m42s 18. vimeo.com/170075635#t=20m05s 19. vimeo.com/170075635#t=21m53s 20. vimeo.com/170075635#t=23m28s 21. vimeo.com/170075635#t=24m53s 22. vimeo.com/170075635#t=26m58s 23. vimeo.com/170075635#t=28m23s 24. vimeo.com/170075635#t=32m04s 25. vimeo.com/170075635#t=33m11s 26. vimeo.com/170075635#t=36m10s 27. vimeo.com/170075635#t=40m01s
@offf installation / PartsOfSystems / #Processing #HypeFramework #RealTime #AudioReactive music : HECQ / STEELTONGUED SI BEGG UNRELEASED / ALTERNATIVE REMIX / HORROR VACUI / http://hecq.de
About this presentation As creatives we strive for some form of success - some mountaintop, goal, or recognition. So what happens when we finally reach the thing we've been aiming for? After a lifetime of experimentation, artist Joshua Davis found his growth slowing after receiving high-level acknowledgment for his work.

Joshua Davis nominated the musician and sound designer Ben Lukas Boysen:

Years ago, I made the wonderful decision of not checking sites or publications about the industry that I navigate. Doing so meant, to the best of my ability, I’d try ideate in a vacuum. I’d have hunches and I’d follow those hunches to arrive at failures and successes visually. By not having my industry under a microscope, it ultimately freed me from a lot of pitfalls like “that looks like this" or “somebody else already tried that” etc.. which in the end become obstacles to finding your own voice.

His work for me is so textural, so visual, so emotional. His newest album Spells currently has me under one. His work makes me feel like I’m floating in space, experiencing the entire universe in just a brief few minutes

So this meant I had to look for new paths to inspiration, which for me has become music. I had to consume this music practice like mediation - calm, ambient lightning, a comfy chair, headphones, eyes closed etc... allowing the music to be the focus. In this meditation I would try to “hear” form, color and movement. Once “awake” I’d use my knowledge and tools to try to visualize what I just consumed sonically. With that said, my current muse is Ben Lukas Boysen. His work for me is so textural, so visual, so emotional. His newest album Spells currently has me under one. His work makes me feel like I’m floating in space, experiencing the entire universe in just a brief few minutes.

Music by Ben Lukas Boysen:

OFFF main titles 2013. Created by From Form in collaboration with Part of Something. Music and sound design by Ben Lukas Boysen

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Ben Lukas Boysen


on Feld

Ben Lukas Boysen


on Feld

Ben Lukas Boysen nominated Berlin-based digital crafts studio Feld:

I know these guys work for quite a while and was always amazed by their creative and and precise approach to their projects. Their very clear and condensed style is something I admire a lot! A few years ago we got know each other better and we occasionally worked together on several projects. They designed the album artwork for both my albums Gravity and Spells with a careful and detailed eye for the the art and materials involved - which made the results incredibly special and we most recently worked together on an installation commissioned by the Barbican Centre in London.

On and off duty, these guys are a source of fun and inspiration and achieving amazing things all around!

Work by Feld:

Digital craft studio FELD bring their work from Berlin to the Barbican, designing a spatial installation in the foyer, exploring the theme of collision. Two revolving arms narrowly evade each other in a huge mobile of light and sound in constant motion.

A kinetic installation that investigates the way we read and understand physical phenomena of embodiment in interaction of space and matter. Loads was developed and realised in close cooperation with Patrick Bedarf and first shown during the "Sensient Geometries" exhibition at SPEKTRUM Berlin. Project page

Torsten Posselt from Feld* nominated the illustrator Stephanie F. Scholz:

I first met Stephanie in 2006, during the entry examination day for the University of the Arts Berlin were we applied for the visual communications course. Over the years at the UDK our ways receded, while Stephi was concentrating on illustration, I was focusing more on digital media and art related topics in other classes where i coincidentally met Frederic and Ben. I then later founded FELD together with them. We never really lost track of each other and Stephanie also became close friends with Frederic over the years, so when the studio moved to a larger space we invited her to join us.

I am intrigued by the way she combines her artistic talent with her vision and conceptual thinking, It always leads to something surprising and beautiful

Since she moved in we were collaborating on various music cover designs for artists like Nils Frahm and Ben Lukas Boysen, music videos for Nonkeen and other artistic and conceptional projects.

Working together with Stephie always feels so natural and easy. I am intrigued by the way she combines her artistic talent with her vision and conceptual thinking. It always leads to something surprising and beautiful.

I am a huge admirer of her latest series of illustrations for the German Zeit Magazin and i hope we all see a lot more of her in the future.

* photo credit - Stefan Höderath

Work by Stephanie F.Scholz:

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Stephanie F. Scholz


Stephanie F. Scholz


Stephanie F. Scholz nominated the photographer Júlia Soler:

I've known Julia for years and like very much the development her photography has taken. She is fascinated with topics and objects for long stretches of time and and inspects them thoroughly from all angles. Her artistic work is founded in research and her obsessions. Julia inspires me because she has an unusual and poetically quiet outlook on life. She finds angles and details which are mysterious to me and she has a gentle way of dealing with her topics. I find her work very honest and it is true to herself, which I admire. 

Work by Júlia Soler:

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Júlia Soler


on Norman Leto

Júlia Soler


on Norman Leto

Júlia Soler nominated the Polish artist Norman Leto: 

Photo of Júlia by Leo Martin:

I stumbled across Norman Leto's work a few years ago when I discovered his film Sailor. I was immediately hypnotized by it. 

I like the way he combines film with 3D animation and prose, the way he manages to blend it all into something very organic.  There is a sublime way of mixing technical and scientific approach with more realistic scenes in a very raw form, and the way he delivers a beautiful coexistence between the macroworld and the microworld. 

The film includes his piece Lifeshapes which is a computer program designed by himself where he enters a series of biographical data about a specific person and the program turns it into a simulated shape.

There is a sublime way of mixing technical and scientific approach with more realistic scenes in a very raw form, and the way he delivers a beautiful coexistence between the macroworld and the micro world

Since I have been lately more and more drawn into working with video formats, he is been a big influence and has motivated me to play with the boundaries between reality and fantasy and to explore the limitations of our human visual perception. 

Norman is currently finishing his latest feature film Photon which I think will be released beginning of next year. Can't wait!

Norman Leto's work:

A private link, for friends. Brief information: Film created and produced by Norman Leto, as an addition to a book with the same title. Budget: below $10.000. Film aimed for institutional screenings only (exhibitions). This youtube version uses 3rd party subtitles.

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